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He provided accounts of many contagious diseases including the first authentic description of typhus , affirmed the contagiousness of tuberculosis, and commented on the spread and control of epidemics. He was also perhaps the first to enunciate the modern doctrine of the specific characters and infectious nature of fevers. Adams F Norman Add to Cart Ask a Question. There is, however, a portrait in the National Gallery of London which is supposed to be that of Fracastoro: while it portrays a slightly younger man than the woodcut, there is a considerable similarity Figure 3.

Initially this painting was attributed to Francesco Torbido; according to recent investigations, however, it seems that the true author was the Venetian painter Tiziano.

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Woodcut portrait of Fracastoro in his "Homocentrica", Venice Supposed to be the only genuine likeness made during his life. Courtesy National Gallery.

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The National Gallery has owned this portrait of Fracastoro since and it was hung for years in a remote lower room, forgotten, but, finally, in it has been brought into the light of the main collection. It was hypothesized that Tiziano painted the portrait of Fracastoro as compensation for being cured of syphilis, which it seems also affected the Venetian painter Figure 3.

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In memory of this great figure of the Italian Renaissance, in the Senate of Verona commissioned Danese Cattaneo to carve a life-size statue representing Fracastoro holding the world idealized as a ball , which now adorns a narrow street arch near the Piazza dei Signori in the center of Verona Figure 4. People of Verona used this story to mock the governors of the city. Until today the ball remains firmly in its place. Conflict of Interest: None. Financial Support: None. Hieronymii Fracastorii: the Italian scientist who described the "French disease".

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    Author information Article notes Copyright and License information Disclaimer. E-mail: moc. Received Nov 30; Accepted Jan This is an Open Access article distributed under the terms of the Creative Commons Attribution Non-Commercial License which permits unrestricted non-commercial use, distribution, and reproduction in any medium, provided the original work is properly cited.

    Abstract Girolamo Fracastoro was a true Italian Renaissance man: he excelled in literature, poetry, music, geography, geology, philosophy, astronomy and, of course, medicine to the point that made Charles-Edward Armory Winslow define him as "a peak unequaled by anyone between Hippocrates and Pasteur". Open in a separate window.

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    Neatly recased, endpapers renewed. A mostly fairly faint damp stain throughout and a marginal worm tract, far from affecting text. Inner blank margin of title-page re-enforced. Some contemporary marginal annotations. Woodcut title-vignette and woodcut printer's device to final blank verso.

    This epochal work "establishes Fracastoro as one of the foremost scientists of all time, and earns him the title of founder of modern epidemiology. Fracastoro's influence is also clearly reflected in the work of such modern scientists as Louis Pasteur, Joseph Lister, and Robert Koch as they broadened and furthered man's knowledge of infectuous diseases.